Euan.
17.


Simply an ordinary boy living day to day, torn between a love for maltloaf and a delusional marriage to Ludwig Trepte (ONE HOT MESS, that's who he is!)

 

malformalady:

A creepy X-ray image taken of a statue of Jesus in Mexico has revealed that the 300-year-old figure contains real human teeth - and they are all in perfect condition. The eight teeth were discovered when researchers took the X-ray as part of restoration work on the ‘Lord of Patience’ statue, believed to have been constructed in the 18th century. The teeth, which are perfectly formed all the way to the root, are believed to have been donated by worshipers out of gratitude, or as a way to get closer to the religious figure.

malformalady:

A creepy X-ray image taken of a statue of Jesus in Mexico has revealed that the 300-year-old figure contains real human teeth - and they are all in perfect condition. The eight teeth were discovered when researchers took the X-ray as part of restoration work on the ‘Lord of Patience’ statue, believed to have been constructed in the 18th century. The teeth, which are perfectly formed all the way to the root, are believed to have been donated by worshipers out of gratitude, or as a way to get closer to the religious figure.

Nightmare-

I had a nightmare last night in which I and a female friend were inside a much larger version of my grandmother’s apartment, filled with various rooms and corridors. I have never met the woman who appeared in this dream. Anyhow, in my nightmare, all construct of society and of law and order that is present today had ceased to exist presumably due to a war or an anarchistic movement that had more or less,essentially resulted in a dystopian post-apocalyptic world baron of any morals or law. The apartment, for some reason, had seemed to have remained in a pristine condition; untouched by the turbulence outside it. However, both my friend and I were aware that we could not turn on any lights without alerting any hostile individuals outside nearby, since we had already heard, while inside the house, a number of people (all men) cheering and shouting in a violent and aggressive fashion. Anyhow, for some reason, one of the lights in the hall seemed to miraculously turn on, subsequently alerting all those who were nearby. my friend and myself therefore proceeded to turn off the light and cover the front door (which I think had already been locked) with heavy furniture. However, by this time, these individuals; having noticed the light, had broken into the hall outside the apartment, prompting me and my friend to try and hide under the bed. However, unfortunately, despite our efforts we were found by the individuals, who then began to try and sexually assault us (out of this entire dream, this disturbed me the most by far) me and my friend then began to fight back against the men, however we were largely outnumbered, with there being numerous men there. The men then eventually demanded that we “stop fighting” or that if we did not do so, they would kill us. Despite this, myself and my friend refused to relent, and continued to try and defend ourselves, however, we were both, presumably killed, since the nightmare ended as soon as one of the men began to strike me around the head with a blunt object. I am extremely concerned by this nightmare, since I have recently been having reoccurring nightmares in places all in familiar to me (one of them once again in my grandmother’s apartment, and the other in my school cafeteria) in which myself and others have been forced to hide and to try and protect ourselves from usually post-apocalyptic or chaotic scenarios. However, I am concerned by this nightmare the most. I Feel that this nightmare has perhaps an underlying meaning and fear to it, and if there is anyone willing to perhaps analyse this nightmare, I would be grateful.

freesyria:

Haunting Photos Reveal What Life Is Like For Syria’s Refugees (3/10)

Aisha Kador, 33, was walking past a mosque in the small northern Syrian village of Tal Rifat with her husband and young child when a Syrian government launched a missile that killed the child and sent both parents to field hospital in Kilis. Turkish ambulances ferry Syrians all day from the border gates to a variety of treatment centers, depending on the severity of the injury. Aisha is a midwife. Her husband, Ahmad Haj Kador, 44, is a nurse. They are recovering from their wounds in neighboring rooms, and the doctor said the loss of their child will prove more crippling long-term than their current physical injuries, which include burning, scarring, shrapnel wounds, and broken bones.

SOURCE.

freesyria:

Haunting Photos Reveal What Life Is Like For Syria’s Refugees (3/10)

Aisha Kador, 33, was walking past a mosque in the small northern Syrian village of Tal Rifat with her husband and young child when a Syrian government launched a missile that killed the child and sent both parents to field hospital in Kilis. Turkish ambulances ferry Syrians all day from the border gates to a variety of treatment centers, depending on the severity of the injury. Aisha is a midwife. Her husband, Ahmad Haj Kador, 44, is a nurse. They are recovering from their wounds in neighboring rooms, and the doctor said the loss of their child will prove more crippling long-term than their current physical injuries, which include burning, scarring, shrapnel wounds, and broken bones.

SOURCE.

Anonymous asked
whats a zionist and whats wrong with it?

sextiment:

read-more because this got long

Read More

The photography of William Eggleston

A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. 

Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)